Shutter speed or, as it is also called, shutter speed is directly related to the transmission of motion in images. When shooting still subjects with a fixed camera, the shutter speed does not matter and is determined only by the required exposure. But when either the camera or the subject is in motion, choosing the appropriate shutter speed becomes not only a technical but also an artistic task.
Not to get confused: the higher the shutter speed, the shorter the exposure time than a shutter speed lower the shutter speed longer. Continue reading
I recommend that any novice photographer actively use the camera’s automation whenever possible. This applies to matrix metering, autofocus, automatic white balance, and everything else that can only be automated, and with which modern cameras often cope better than modern photographers. Load the camera with all the menial work, and pay more attention to finding beautiful scenes and harmonious frame layout.
But there are times when a camera that thinks it’s too smart has to be taken in hand.
Shot on full automatic. What the hell? Continue reading
Today, any digital camera offers the photographer a frightening variety of shooting modes. Due to the fact that the instructions for cameras describe the features and purpose of a particular mode is very vague, it can be difficult for a novice Amateur photographer to determine which modes are really useful, and which are marketing nonsense. As a result, many people either spit on everything and shoot exclusively in AUTO mode, without trying to dig deeper, or, believing the authors of the instructions, try to use narrow-minded story modes (Portrait, Landscape, Sports, Macro, etc.), not suspecting that with a minimum of mental effort, you can achieve much more flexible and complete control over the camera without any damage to your own comfort. Continue reading